年轻的Travis继承家族的牧场后，被迫搁置环游世界的梦想，却交上桃花运，遇上两位大美人Kelly 和 Jolene。惟Kelly和Jolene都图谋不轨，意乱情迷的Travis被引诱进行一连串亡命的银行械劫案; 身犯险境之余，他发觉自己堕进一项阴谋中...

　　纽约侦探约翰·夏福特英勇强悍，他受命办理哈林区角头老大女儿的绑架案，却也因此和所有黑帮为敌。各路人马的对决，一触即发！

　　烏茲別克特勤局警探帖木兒薩里耶夫得知他那應該已經死去的兄弟還活著，並隸屬於天蠍幫恐怖組織，這是他正在負責進行調查並追捕的組織。薩里耶夫冒著生命危險和職業生涯，跟隨他兄弟的腳步進入了一個混亂和充滿戰爭的國家，他要與兄弟同流合污嗎？還是大義滅親維持該地區的和平？

　　一家银行遭到了劫持，一个吸毒成性的谈判专家迈克尔·约翰逊（迈克尔·加·怀特 Michael Jai White 饰）负责谈判，而绑匪正是他的哥哥（奎顿·杰克逊 Quinton 'Rampage' Jackson 饰）。他无心谈判，一心想要逃走并且在此过程中也不断的羞辱着迈克尔。
　　一时间，两人玩起了警匪之间的猫鼠游戏……

　　主修艺术的罗杰可（李国豪 饰），因目睹画廊老板被芝加哥黑道份子索拉诺枪杀，而被列为追杀对象；没想到这位外表温文儒雅，却有一身了不起功夫的目击证人，竟是索拉诺的致命剋星！

　　The In-Laws is a hilarious action comedy starring 5-time Emmy Award winner Peter Falk (Columbo, The Brink’s Job, The Princess Bride) as CIA agent Vincent Ricardo and Golden Globe winner Alan Arkin (Catch-22, Grosse Pointe Blank) as dentist Sheldon Kornpett. Sheldon is a dentist from New Jersey, Vincent travels a lot on business. Sheldon’s got a successful practice and Vincent’s got a dubious past. In 48 hours Vincent’s son is marrying Sheldon’s daughter and what happens in between will bring them together for better or worse. Arthur Hiller (Love Story) directs the car chases, gunfights and witty one-liners, extracting perfect chemistry between the two leads as they adventure across South America together.

　　一位在欧洲留学的女大生希瑟偶然发现了一个恐怖组织策划的谋杀案，她作为主要证人处于生命危险之中……

　　雷蒙（基弗·萨瑟兰 Kiefer Sutherland 饰）好不容易熬完了自己的铁窗生活，在监狱里吃尽了苦头的他决定在出狱之后金盆洗手老老实实做人，和深爱的女友艾迪（金·迪肯斯 Kim Dickens 饰）双宿双飞，浪迹天涯。然而，雷蒙灰暗的过去却不愿意放过他，出狱之后，他曾经的朋友马尔寇斯（文森特·加洛 Vincent Gallo 饰）找到了他，希望他能够跟他再干一票大的，赚上一大笔钱。
　　经受不住金钱的诱惑，雷蒙妥协了，哪知道原本只是一次小小的行窃行动，却因为意外横出而酿成大祸。雷蒙一行人不仅射杀了一名便衣警察，还绑架了两名人质，就这样，雷蒙和艾迪不得不再一次踏上逃亡的旅途。

　　二战遗孤登川（宍戸錠 饰）从中国返回日本后，不久便遁入黑道。因犯下累累罪行，登川最终锒铛入狱，不久却被恶德律师伊藤保释出狱。原来某黑帮头目垂涎马会高达1亿2千万的现金，因此指示伊藤救出登川，企图让他劫持马会的运钞车。为了给在医院中的妹妹梨枝（松原智恵子 饰）治病，登川接受了这项危险重重的任务。他找到了白井（小高雄二 饰）、冈田（井上昭文 饰）、寺本（草薙幸二郎 饰）等人，制定了一份详细的劫持计划。初步的行动虽然进展顺利，但是状况频发，所有的人都置于了危险之地。正所谓人为财死，鸟为食亡……
　　本片根据大藪春彦的小说改编。

　　一个孤独的流浪者来到了一个小镇，怀揣着对尼古拉的复仇计划。然而，他意外地遇到了比他原先计划更为庞大的挑战。影片背景设定在一个超现实的反乌托邦社会，这里禁止使用枪支，而以一剑封喉才是真正的王道。尼古拉（朗·普尔曼 Ron Perlman 饰）是该社会最有权势的人，统领着犯罪集团，制定着铁血规则，所有人都不得不臣服。他的夫人亚利桑德拉（黛咪·摩尔 Demi Moore 饰）是一个神秘的女人，背后隐藏着许多不为人知的秘密。尼古拉身边有着九名杀手，被称为“红衣帮”，由2号杀手（凯文·麦克基德 Kevin McKidd 饰）为首，他们严密守卫着尼古拉的权威。
　　当地居民因尼古拉的残暴统治而生活在恐惧中，他们渴望有一位英雄能够站出来推翻暴君，拯救他们于水深火热之中。一个晚上，一位神秘的流浪汉（乔什·哈奈特 Josh Hartnett 饰）闯入了“没有马的骑士”酒吧，他的目标就是复仇，杀死尼古拉。与此同时，一位年轻的日本武士耀西（神威乐斗 饰）也踏入了酒吧，他渴望为父亲报仇，夺回被尼古拉夺走的护身符。

　　查尔斯•布朗森（汤姆•哈迪 Tom Hardy 饰）出身于上层社会家庭，从小就具有不可自抑的暴力倾向，布朗森没能像其他人一样完成学业和工作，在1974年结婚后，布朗森因为携枪抢劫邮局而被判入狱七年，至此，布朗森抛弃了自己的本名迈克尔，成为了臭名昭著的英国监狱恶徒。富有表现欲望的布朗森用暴力作为自己成名的途径，在狱中不屈服于任何管教，同时也得到了犯人们的钦佩和媒体的关注，布朗森自诩为“英国最残暴的犯人”，他的监狱生涯就是不断的单人禁闭、不断的更换监狱……布朗森出狱后投身地下拳击界，但不久又再次入狱，监狱暴徒布朗森的故事还在继续……
　　本片根据真实故事改编。

　　连串黑帮老大遭绑架、勒索以及撕票，警方对此案调查毫无头绪。警队B组队长张博文（任达华 饰）曾为警队立下汗马功勋，但从其妻子遭黑帮报复被杀后，加上A组队长的排挤，他开始消极处世。警方接到报案，又一黑帮头目遭绑架，新任总警司古国强（陈法拉 饰）召集两组人马对此案展开全面侦察。由于A组队长轻敌，加之犯罪分子做案手法高明，配合严密，在一次行动中警方遭受重创。此时，在古警司的请求下，张博文带领手下仅有的两名探员开始暗中调查此案。经过慎密调查之后，张博文把犯罪分子的头目目标锁定为曾为警方督察的何湛森（苗侨伟 饰），他的手下包括多名原飞虎队成员，而何湛森绑架黑帮老大的真实目的是为其被黑帮报复杀害的弟弟的报仇……

　　杰克•康拉德（Stone Cold Steve Austin “响尾蛇”史蒂夫•奥斯汀 饰）原本是美国中部一座监狱里的死刑犯，在即将走上电椅的那一刻，他却被腐败的监狱长卖给一家电视台。该电视台制片人策划了一个新节目，他从世界各地遴选10位肌肉发达、动作敏捷且暴虐十足的死囚犯，将他们置身于海上孤岛中相互残杀，只有干掉其他对手坚持30个小时的人才有一线生机。整个搏斗过程通过摄像机全方位多角度传送到世界各地，嗜血如命的观众纷纷购买这个疯狂的真人秀。
　　死囚中藏龙卧虎，杰克若想活命只有奋力搏杀……
　　[背景] *光头佬男主角是WWE著名摔角手Stone Cold Steve Austin，他的地位成就与更早前从影的The Rock不相上下。如果从WWE专门为之定做重量级冠军腰带这件事来看，SCSA的成就实际要高于后者的。
　　*WWE自成立电影部门以来，先后重点推出三位选手主演电影：1，Kane《魔影无踪》（See No Evil）；2，John Cena《海军陆战队》（Marine）；3，SCSA《死囚大逃杀》。从票房来看，《海军陆战队》最高，《魔影无踪》次之，《死囚》票房和风评都很差。而从投入与产出的比例来看，《魔影无踪》无疑为最大赢家。
　　*死囚中有对夫妻档，男的是上世纪90年代中期活跃于WWE（当时还叫WWF）的摔角手Wildman。印象中此人最多就得过洲际杯冠军（比WWF冠军次一等），他的前女友Sable曾两次为PLAYBOY宽衣解带拍照，后来跟另一位比她小很多的摔角手结婚，其夫婿Brock Lesner曾为WWE冠军，后来主宾翻脸，Lesner辞职，转投自由搏击，效力于美国最大MMA组织UFC，现为UFC重量级冠军。
　　*影片整体架构来自于深作欣二的《大逃杀》（Battle Royale），而Battle Royale恰是摔角界的一种比赛形式，所有摔角手站在擂台上互殴，他们必须将对手从最顶的绳圈上扔出场外，最后剩下的是胜者。

　　杜夫·龙格尔饰演神出鬼没的正义使者，为了替家人报仇，于五年内单枪匹马干掉一百二十五名黑帮分子，导致法兰哥家族群龙无首。于是帮会邀请在当年下令杀害警察凯索一家而仓惶走避他乡的法兰哥再度出山重振黑帮声威，警方则派出警探伯克维兹追捕正义使者。他怀疑此人就是他以前的警察搭档凯索，在女警莎曼协助下发现惊人内幕。

　　邪恶魔龙正在大举入侵，人类陷入灭亡的危机中。达瑞尔（Erik Denton 饰）和肯德（布拉德·约翰逊 Brad Johnson 饰），两兄弟在邪恶的半人半龙威胁下长大，成为北方边境王国的幸存者。他们发现自己是古老预言中的屠龙骑士后，立誓要复仇并振兴王国。多年后，北方的邪恶龙族在大陆上肆虐，以猎杀人类为乐。达瑞尔和肯德决定前往传说中的屠龙骑士故乡，学习屠龙的技巧。
　　在穿越大陆冒险的过程中，两兄弟发现他们被选中成为屠龙骑士的后代。然而，他们面临着一个意外的情况：预言选择了缺乏实战经验的肯德作为屠龙骑士领袖，而非善战的哥哥达瑞尔。与此同时，龙族军团正大举入侵，战争一触即发。肯德能否领导所有人，成功击败邪恶的龙族呢？这个充满挑战的命运是否能够实现他们复仇和振兴王国的誓言呢？

　　Stan厌倦警察生涯，计划开展新生活，与好友开设酒店经营。无奈目睹好友被枪杀，Stan 重投警队行列，誓要以暴易暴...    

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

　　八十年代的恐怖电影《处刑在午夜》（10 to Midnight）中，外表不佳却颇具性格气概的老电影人查尔斯·布朗森在片中饰演一个警探，逮捕到一位专门辣手摧花的杀人犯，苦于没有证据，老查不得已设法编造证据，想送他进大牢，不料被穿帮，凶手放出来后，决定对老查的女儿下手以实行报复。为什么老查根本找不到凶手的罪证呢，原来凶手每次行凶前必把自己的衣服脱光，你想找到任何沾有血迹的衣服、裤子、鞋子，都难如登天。于是，反一号男主角吉恩·戴维斯在片中有一半的戏份都要光着身子。《处刑在午夜》在裸露尺度的把握上，真正做到了“男女平等”，你脱我也脱，像吉恩·戴维斯这种可以走偶像路线的男星，接拍《处刑在午夜》实在得不偿失，别说必须时不时的衣不蔽体，角色形象也负面到极点，从片子的票房来看，他也真是白忙了一场。可能从一开始，吸引他的只是赫赫有名的曾导过黑白原版《恐怖角》（Cape Fear）与《纳瓦隆大炮》（The Guns of Navarone）的大导演J·李·汤普森吧，可惜人有失手马有失蹄，这一回他可是脱得很没价值呐！

　　故事发生在一座名为艾尼斯的平静小镇之上，卫斯理（史蒂文·席格 Steven Seagal 饰）曾经是政府重用的免疫学家，如今，他不过是一个隐居在小镇之中默默无闻的中年男人。以奇桑（杰拉德·萨尔汀 Gailard Sartain 饰）为首的一帮恐怖分子的到来打破了小镇上宁静的日常，与此同时，一种从未被发现的神秘病毒正在居民间蔓延，卫斯理的“退休生活”彻底画上了句号。
　　为了对抗病毒，卫斯理潜心研究着疫苗，感染死亡的人数越来越多，病毒传播的速度也越来越快。更糟糕的是，卫斯理的女儿霍利（卡米拉·贝勒 Camilla Belle 饰）遭到了歹徒的绑架，而他自己似乎也成为了病毒的受害者。在如此艰巨的情况之下，卫斯理能够力挽狂澜吗？

　　剧情主要发生在一列从美国西海岸开到芝加哥火车上，年轻出版商乔治克威与艺术品鉴赏家薜礼纳的秘书一见如故，两人正在温存之际，车窗外却抛下薜礼纳的尸体，乔治因而卷入凶徒的追杀之中。而潜伏在火车上的联邦密探史威知道薜教授被杀的真相，亦遭势力庞大的罗杰杀害。雪球越滚越大，最后失控的火车头竟然撞进火车站之中。导演阿瑟·希勒拍出了紧凑俐落的气氛，高潮一波未平一波又起，压轴的火车大灾难在二十年前更是令人看得目定口呆的精彩特技场面。

　　自从七原秋也与中川典子从新世纪教育法（简称BR）中逃出，两年转眼就过去了。人类社会进入了恐怖主义时代！首都在反BR国家的恐怖分子的袭击下，化为一片废墟。政府当局认定凶犯为七原秋也，开始了对其国际通缉。 七原作为反BR组织“wild seven”的精神领袖，对所有成人发出 了宣战通告。成人为了剿灭七原，发起了一个新游戏——BR2。又一个高中班被军队绑架到荒岛，他们无一例外地被勒令换上军队制服，稍有不从下场就只有死亡！又一场血腥、残忍、惨无人道的大逃杀开始了！
　　本片为《大逃杀》的续集，导演深作欣二在开机伊始便病倒，不久病故，其后的拍摄工作由他的儿子深作健太担任。

　　Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!

　　In 1902 London, unhappily married Philip Marshall meets young Mary Gray, who is unemployed and depressed. Their deepening friendship, though physically innocent, is discovered by Philip's wife who threatens him with exposure and scandal, driving him to kill her. Thereafter, fortune seems to smile on Philip Marshall; but does fate have a surprise in store?