Paramount+续订School Spirits第二季。

　　1976年，一场7.8级地震，把王大鸣、林智燕小两口，双双埋在矿医院。六天七夜后，王大鸣获救，醒来得知：身怀六甲的妻子没了，老爸没了。左邻右舍，家家戴孝。在震后忘我工作的日子里，陶瓷厂女工杨艾闯进王大鸣的生活。杨艾父母双亡，大姐全家殁于地震，只撇下个震成了哑巴的小儿子。王大鸣和杨艾做了半路夫妻。王家和林家，已搭伙过成一家子。除了老妈冯兰芝、老丈人林兆瑞、小舅子林智诚、小妹王卫东，刚收养的隔壁刘家俩半大小子，现今又添三个新成员——杨艾两姊妹和小哑巴孙磊。九口人，六个姓，非血缘组合一家子，经过地震、非典、情感纠结及癌症折磨，在改革开放时代变迁中，挣脱震后困厄，最终重建幸福家园。

　　1912年春天，当红小生马玉郎，为寻父亲，单枪匹马前往枣庄，一路险象环生，他凭借自己的机智不仅屡屡为险为夷，结识了一群与他的生命息息相关的人外，还意外拥有了一口改变他一生的古窑。当上窑主后，他亲自下井，感受到井下工人的艰辛与危险，张启之和白双凤的改革思想，天津与上海的先进技术更是激发了他要用先进的生产力来改变窑工的工作现状的雄心壮志。面对四大窑主和以军阀保守势力的觊觎以及帝国主义对中国煤炭虎视眈眈的双重压迫，他与白双凤、张启之等人立誓要以生命保卫中国这条黑色的命脉。马玉郎，他用了整整十年的时间从戏班的小舞台走向了历史的大舞台，实现了从角儿向实业救国的企业家的蜕变。

　　Hannah Fry uncovers the secrets behind the miraculous technologies of the modern world, revealing the mind-blowing stories behind their invention.
　　Episode 1: Bank Card
　　Hannah Fry takes a look at the bank card. This humble piece of plastic is often taken for granted, but it's the digital key to accessing cash and is packed full of extraordinary technological innovations.
　　Episode 2: Food Delivery App
　　Hannah Fry tucks into the tech behind food delivery apps, which are now used by 24 million people in the UK. Hannah finds out how pizza made us fall in love with the internet.
　　Episode 3: Virtual Assistant
　　Hannah Fry delves into the inner workings of virtual assistants like Amazon's Alexa, Google Assistant and Siri, which are now found in almost half of all UK homes.
　　Episode 4: Electric Car
　　Hannah Fry discovers why innovations in meat packing almost derailed the electric car revolution and how a breakthrough in camcorder batteries led to Elon Musk's electric empire.
　　Episode 5: Fitness Tracker
　　Hannah Fry finds out how 1970s car crashes helped us to count our steps, why high-altitude WWII dog-fights led to a crucial health monitor and how fitness trackers are even being used to catch killers.
　　Episode 6: Trainer
　　Hannah Fry visits eBay's authentication centre, where they are waging war against fake high-value trainers. She also discovers how American breakfast waffles transformed our trainer soles.

　　A dramedy that tells, with irony and humor, the adventures of Eliseo, the janitor of an upper class building, who, behind the back of the managing company that employs him, uses his position to surveil and be intimately acquainted with the building's tenants.
　　The building is a universe whose ecosystem has specific dynamics and rules, and Eliseo knows them all by heart. There he lives, works and absorbs every detail of the life of its residents. However, underneath all his humility, he hides a talent for manipulating them. A facade of servility and sincerity is his most effective weapon he uses on them. His power is knowledge. He knows everything about his neighbors: their names, schedules, jobs, relationships, weaknesses, likes, etc. His mind registers everything that goes on in the complex. With this advantage over his "victims", he devises strategies to influence each tenant and can calculate precisely how they will react. This game of power over the neighbors is akin to playing cat and mouse. Depending on his whims, his mood or his need to protect his position at all costs, he is capable of causing wide ranging damage. He also dispenses justice and protects those he sees as weak. He is a God on his own turf.

　　Tamara, an edgy feminist philosopher, rediscovers a past she thought she had left behind.

　　In 1997, scientists and local government officials face life-and-death decisions when a destructive flood wave threatens the city. The local authorities, led by the aspiring clerk Jakub Marczak, bring in Jaśmina Tremer, a female hydrologist with a troubled past, to help save the city at any cost. At the same time, Andrzej Rębacz returns to his hometown Kęty near Wrocław, unexpectedly leading the rebellious residents. High Water is a suspenseful, six-episode disaster drama series inspired by the real-life events of the Millennium Flood which hit Poland, as well as parts of Czech Republic and Germany in 1997. Directed by Jan Holoubek and Bartłomiej Ignaciuk, starring Agnieszka Żulewska, Tomasz Schuchardt, Ireneusz Czop, Marta Nieradkiewicz, Mirosław Kropielnicki, Anna Dymna and Tomasz Kot.